80's Fashion Fever: Insights from a Visually Impaired Thrifter
Explore the vibrant world of 80's fashion from a unique perspective as we sit down with Rebecca Collins, a visually impaired thrifter. From navigating the op-shops to identifying authentic labels, discover valuable insights and tips for incorporating 80's fashion into your wardrobe.
Guest bio:
Rebecca Collins is a visually impaired thrifter, with a passion for shopping 80s pre-loved clothing and creating inspiration through her head-to-toe Instagram " Outfit of the Day '' stories. Bec started reselling on Poshmark through the pandemic - to clean out her wardrobe and create a side hustle after recuperating from major eye surgery - to today where Bec sells a curated 80s vintage collection at suburban markets, through Instagram and Facebook, and in selected vintage shops. Bec is looking to take her thrifting to the next level by working with the Blind and Low vision (BLV) community, to help educate and empower people that live with a visual disability, to help them understand that fashion is accessible for all.
Connect with Bec:
@aninsightfulhaul on Instagram
Mentioned in this episode:
- Claire Press, Sydney-based sustainability communicator, filmmaker, author and presenter
- 'The Way We Wore' on ABC iView
- Nourished Life
- Ballarat Wholefoods Collective Op Shop & Vintage Market
- Wardrobe Crisis Sustainable Fashion Podcast
- Low Tox Life Podcast
About the show:
This is Reloved Radio: Sustainable Fashion Stories, the fortnightly show that brings you inspiring stories from guests who are making a positive impact in the sustainable fashion space.
Want to know the BEST places to shop secondhand online in Australia? Download this EPIC list for free!
Join the Reloved conversation on Instagram.
Credits:
Music: 'Old Leather Sneakers' by PineAppleMusic
Transcript
I can't always wear glasses, so my vision tends to fluctuate.
2
:I know my limitations.
3
:I always carry a magnifying glass with
me and I've got some really cutesy
4
:little traveling ones that fit into my
handbag . All my friends just, they, we
5
:have to laugh at it 'cause they're like,
for a blind person, you do pretty well.
6
:Chryssius: Hey, Relovers!
7
:Welcome back to another
episode of Reloved Radio.
8
:I'm your host, Chryssius Dunn, and today
we have a super interesting guest joining
9
:us, someone with a unique vision and
a passion for all things 80s fashion.
10
:Now, you know, we're all about
sustainable style and the stories
11
:behind our preloved treasures.
12
:Today's guest embodies that spirit.
13
:She's not just an 80s fashion curator
and reseller, but also a remarkable
14
:individual who navigates the world of
thrift stores, op-shops, and vintage
15
:markets with a unique perspective.
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:With a keen eye for authentic pieces
and a commitment to sustainability,
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:she's curated a collection that
tells a story beyond fashion.
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:You might know her from the journey
she shares on Instagram under
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:the handle @aninsightfulhaul.
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:So grab your favourite drink, settle in,
and let's dive into the world of authentic
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:80s fashion with Rebecca Collins.
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:Welcome to the show, Bec!
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:Who doesn't love the 80s?
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:I feel there's a lot people out there
that don't love the 80s, and I do get
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:a little bit devastated sometimes that
they don't have the same passion for
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:the 80s as what I do, but I try and
put it out there as much as I can.
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:Love that.
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:Tell us how you got started
as an 80s fashion reseller?
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:Bec: Interestingly, I didn't
really grow up with loving op-shops.
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:Um, I am a maximalist.
31
:I always have been, but I kind of got
into it about 10, probably eight to
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:ten years ago, a friend of mine said,
"I'm going to hormone school and I've
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:just learned all about hormones and
I think you should get on board."
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:And I was like, "What do you mean?
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:I've got absolutely no idea
what you're talking about."
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:And it started with Alexx Stuart, who...
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:she does Low Tox Life.
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:She started as a podcast but basically,
it was talking about how you live with
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:a, a level of toxicity in your life.
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:And my journey actually
started with clean beauty.
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:So I got onto Nourished Life and Irene
Falcone and learning that story which
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:then went into like Sarah Wilson with
I Quit Sugar, and then Clare Press with
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:Wardrobe Crisis and, and learning about
ethical fashion and being educated.
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:And that was probably all through
a lot through Covid as well, that I
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:re-listened to a lot of this, but that's
kind of where it all STARTED started.
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:And then I got into the whole
secondhand shopping, I guess from
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:the ethical fashion movement.
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:I hated going into op-shops when I
was growing up, but then realised
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:the connectivity between going into
the op-shops and actually buying
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:preloved clothes because we just
already had too many clothes in the
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:world as it was, becoming the eco
warrior that I did, all of that was
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:really impressed upon me, I suppose.
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:And yeah, I just started going
into op-shops, then I started
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:finding little bits of treasure.
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:I started adapting my style, because I
wasn't conforming to what everybody was
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:wearing every single day, mass produced.
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:I started looking at clothes in a
completely different way, and I don't
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:know why the 80s specifically called
out to me, but you know, I was born in
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:the seventies, so I grew up in the 80s.
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:So for me it was all about Melanie
Griffith's "Working Girl" you know, her
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:hair and shoulder pads, and listening to
Laura Branigan and, Olivia Newton-John
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:"Physical", we would do aerobics
and wear those outfits, you know?
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:So I guess that's where
it kind of transformed.
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:And I never looked back.
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:I thought, wow, I'm so into
this and there's gotta' be
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:a niche of people out there.
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:So I started sourcing, I
started buying it, and then I
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:was wearing a lot of it myself.
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:And then just working through that style
and then thinking, oh, this is great.
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:Like, surely there's gotta' be more
people that think that this is a good
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:idea and like this kind of clothing.
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:So then you start seeing people out
in the street wearing bits and pieces,
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:and you're like, yeah, there they are.
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:There they are.
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:I can spot them.
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:Chryssius: And just to clarify for
our listeners, when we're talking
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:about 80s clothing, the pieces that
you were starting to be attracted
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:to, like, are we talking leg
warmers and Lycra or something else?
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:Bec: Hey, I've never stopped
loving leg warmers to be honest.
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:I think for me the biggest
thing is probably shoulder
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:pads, first and foremost.
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:I'm lucky to say that 'cause I'm quite
tall and rather broad-shouldered,
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:I feel like, once I started wearing
things again with shoulder pads and
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:I'm talking, the bigger, the better.
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:I just found that my
whole silhouette changed.
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:I also really love massive earrings.
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:I also wear very bright lipstick.
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:Always do.
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:I can't wear a lot of eye makeup because
of my eyes and what's going on with them.
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:So I really don't wear
a lot of eye makeup.
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:So lipstick, not hair so
much, but yeah, shoulder pads.
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:I love a blazer and I love a coat, so I
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:Chryssius: Kindred spirits.
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:Bec: Right.
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:And then I started getting into dresses,
which I've never been a dress wearer.
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:And then I think it was also a
combination of what I started to see
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:through the op-shops, what I deemed
as "treasures" through the op-shops.
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:And also, power suits, things like
that, that I just started seeing
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:in a whole different light that
really just ignited this passion.
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:And I was like, "Oh my God!"
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:Like I, I feel like I'm so old school,
but I'm okay with that, you know?
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:So yeah, that's kind of where it happened.
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:But yeah, the, the op shopping
itself is, is a really big thing.
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:'Cause I, I just actually can't
go into a normal shop now.
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:You can't find 80s in a normal shop.
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:Oh, what I was gonna' say was also
with 80s was, going into the shops
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:and finding it, but also finding
the right people on Instagram.
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:People get shown up to you all the time
and you're like, oh my God, there are
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:other people out there that are into this.
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:So you know, to coin the phrase,
"finding your tribe" online and then
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:just starting the conversations with
people and, and seeing what they were
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:sporting, whether they were reselling
or whether they were just doing
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:outfit of the day or whatever it was.
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:You just go, "Oh my God!
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:Yeah, that person loves
that dress as much as I do!"
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:Chryssius: Mm-Hmm.
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:So when you're out there how do you find
authentic 80s pieces for your collection?
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:Bec: I will take any opportunity to
pretty much source from anywhere.
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:It could be a tin shed for all I care,
garage sales, vintage shops, anywhere
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:and everywhere that sells something
that is preloved or secondhand.
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:I actually love going in, I probably
shouldn't say it is a bit of, retail
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:therapy, but yes, I do wholeheartedly
believe in retail therapy.
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:From personal experience and my own
lived experience and family and friends,
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:if we're all having a bit of a down
moment, we kind of pick our socks
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:up - or leg warmers - and runners,
and we'll be like, let's just put our
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:gear on and run down to the local oppy
and see what's going on down there.
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:Because everyday changes in an op-shop, as
the listeners and yourself would be aware.
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:But you know, some of these places
you just, could go daily, you could
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:visit daily and there's always
something different and there's
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:always someone else in the store.
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:There might be a new volunteer
that you can have a chat to.
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:But yeah, so I don't really
look at it as sourcing, per se.
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:I would say it's the thrill of the find.
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:Chryssius: Oh, absolutely.
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:I will say I've never found leg warmers...
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:...in of the op-shops.
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:I'm disappointed now.
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:Now that
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:Bec: I know it's gonna'
be on our list, right?
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:Chryssius: I'm putting it on the list.
141
:As someone with low vision,
is that what you would say?
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:Bec: Yeah.
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:Chryssius: How do you navigate
the stores, and the markets?
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:Does hold you back in any way?
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:Bec: Yeah.
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:Look, it's been tough.
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:So I've had the condition since birth,
and I've had three corneal transplants.
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:I was born with corneas that were
shaped like footballs, and yours
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:would be shaped like basketballs.
150
:They got cut off and I've
had three donors sewn on.
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:They don't always work and I'll
get to a point where I won't
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:be able to do that anymore.
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:I had my first transplant
at 16, so I am now 50.
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:I just turned 50 last week.
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:The procedure that I had had done at
that time is pretty much no longer.
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:The older you get, the expiration on the
corneal transplants is a lot quicker.
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:So yes, it has been a journey up and down.
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:And I can't always wear glasses,
so my vision tends to fluctuate.
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:But I have to say, and all my
friends just, they, we have to laugh
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:at it 'cause they're like, for a
blind person, you do pretty well.
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:So yes, it is difficult, but I think
because I'm so used to, let's say, looking
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:for things now, I, I know my limitations.
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:It does depend on the store or
the shop that I'm going into,
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:how they set up the store.
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:So some shops can be easier based purely
on how they've oriented their stock.
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:The more stock that they have, the
more difficult it is 'cause I feel
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:like there's just too much to see.
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:I always carry a magnifying glass with
me and I've got some really cutesy little
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:traveling ones that fit into my handbag.
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:When I'm checking the garments, I
check everything from head to toe.
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:For me as a reseller, it has
to be about quality assurance
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:as well and quality control.
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:So I won't pick up things like if there's
missing threads or if there's sun fade
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:or there's stains, or there's rips.
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:I won't always pick up those things,
but, you know, when people go into an
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:op shop, they might determine within 20
minutes, oh yeah, this is it for me, and
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:I've found something, or they haven't.
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:Where for me, I take a little bit
longer because I am so particular
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:about what I curate anyway.
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:I also take that extra time for
the quality control element to it.
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:I can usually tell by
the vibe of the shop.
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:I can tell by the colour element to it.
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:There's some op-shops, like, I'm pretty
sure it's Vinnie's, that colour block.
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:I do like..
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:Chryssius: They do.
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:Bec: Yeah, I like a colour block element,
but I don't like everything in one colour.
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:So for me, that's just a wash of colour.
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:It's like everything's in
red, everything's in blue.
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:I like, especially for 80s, you never
really went with block colour, right?
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:So in the 80s there's a lot of neon,
there's a lot of print, there's a
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:lot of animal print, polka dots,
abstract, you know, patterns.
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:Everything was polyester then.
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:So going via a tactile element,
like touch and feel, that's a
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:huge element to what I do as well.
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:I can literally run my fingers across
the clothing and pick out instantly
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:what feels good, what doesn't.
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:Because I've gone through it so many
times, I do feel like I can instantly
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:pick up things and know whether
they're gonna' be of quality, but
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:to check them out, yeah, I will go
from head to toe and look at all the
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:detail that incorporates that item.
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:Chryssius: Do you have any tips for
incorporating those amazing 80s pieces
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:that you find into contemporary outfits?
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:Bec: Yeah, I think you probably
should start with one item.
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:So I think the easiest, and it may
be a seasonal thing too, but I think,
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:I guess coat or jacket or blazer.
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:Not to say that because that is my
first and foremost and it is the
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:first rack that I will always go to.
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:I will seek out a shop just to
find that rack first and foremost.
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:I think because coats, jackets, and
blazers, they might change a little
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:bit in terms of the silhouette wearing
them, but if you can get the really
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:good quality ones that are wool
or cashmere, or that have a blend.
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:They don't have to have
shoulder pads, obviously.
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:I prefer them.
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:But you know, it depends
on whether you like colour.
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:So you, you know, you might
buy a jade green coat.
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:I found an emerald green coat for
$6 in a Vinnies and it probably
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:took me two hours to brush it down,
steam it, do all of that, which, you
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:know, we can get into a bit later.
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:But for a $6 coat that turned out to
be an absolute jewel in the closet,
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:that was probably one of the first
things that I was like, yeah, I'm
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:actually gonna' insert more colour.
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:'Cause being a Melbournite,
Melbourne is grey.
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:I've always had an element of colour
in my wardrobe, but being from
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:Melbourne, it's always been black,
neutral, grey, white, you know.
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:That IS the Melbourne uniform.
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:It is a Melbourne uniform.
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:Yeah, for true.
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:So, then inserting something like
a cobalt blue or a, a jade green or
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:a emerald green or I don't know, a
canary yellow coat into the wardrobe.
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:Also a blouse, a jumper and a scarf.
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:They're my main elements.
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:A blouse, you can, especially an
80s blouse with a pussy bow like...
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:yeah, I do really love a pussy bow.
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:And I have several.
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:They're probably the key things
I would put in straight away.
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:And everybody can wear a jumper.
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:So, 80s was about oversized, windcheaters.
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:Chryssius: Knits with cats on them.
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:Bec: Oh yeah.
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:Can you see?
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:Oh my God.
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:So...
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:Chryssius: Oh no.
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:Is that what you're wearing?
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:No way!
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:Bec: Oh my God, so this was my Mum's
from the 80s, just a white windcheater
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:and it's got cats on the front and
then it's got their faces at the
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:front and their bums on the back.
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:Chryssius: That was totally unplanned.
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:I could not see what was on your jumper.
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:So for everyone listening Bec
has a jumper over her shoulders.
252
:Very on trend, but I couldn't see what
it was, but when I think of 80s jumpers,
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:I do think of knits with cats on them.
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:Or
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:Bec: Yeah.
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:Chryssius: We've seen that 80s fashion
is definitely making a comeback.
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:Bec: Yeah.
258
:Chryssius: Why do you believe
that it continues to appeal to
259
:today's fashion enthusiasts?
260
:What is it about it?
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:Bec: There's, there's quite a few
elements to that answer, I think.
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:No one wants to be held back
anymore, everyone wants to express
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:themselves in some way or another.
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:And I think fashion is one of
the, the main elements to do that.
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:Not specifically 80s, but I.
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:I don't know, 80s just seemed to be like
the total fun decade, 80s and nineties.
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:You know, their clothing
was just super fun.
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:When I think back to the sixties and
seventies, like I was born 74, but,
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:and I wasn't in the sixties too, you
know, but all of that fashion I see.
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:It was nowhere near as vibrant
or as exciting as the 80s, you
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:know, and then Stranger Things,
there's always that connection.
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:Stranger Things with the 80s, and
that was a big thing when I did
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:some work with the Garage Sale Trail
campaign, and I think it was either
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:last year or the year before they
did, um, they took it back to the 80s.
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:So I just thought that was hilarious.
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:They made that connection.
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:I was like, oh my God, that's true!
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:Chryssius: I feel like I need to
go back and watch it again now just
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:to look at what people are wearing.
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:Bec: Yeah.
281
:Chryssius: When you're out
there and finding these beautiful
282
:pieces, how are you ensuring,
first of all, the authenticity?
283
:Because there's a lot of
copycats that are coming out.
284
:At the moment that are, you know,
285
:sort of, Yeah.
286
:Yes, exactly.
287
:And also the quality, because
obviously the quality is going to
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:be a completely different league
to what's being out there now.
289
:Bec: Yeah, I always check
the label, to be honest.
290
:I, I look at colour, I can look
at an item and I can touch it.
291
:I can feel it.
292
:But the first, first thing I'll
do is even holding onto the hanger
293
:before I've even touched the item.
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:I will look at the label.
295
:And the labels are always
indicative of the era.
296
:There's always the labels, then there's
the buttons, then it's how they're sewn.
297
:As in the garment itself, not the buttons.
298
:But buttons are a huge element
because you just don't get buttons
299
:like that, that you would previously.
300
:So yeah, the labels are really
important and they always
301
:dictate to me how old they are.
302
:Buttons, a hundred percent.
303
:Or the accents on any garment.
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:So whether that's a metallic thread
through it, whether it is a certain
305
:pattern, you don't get patterns.
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:With today's clothing, they're all just
prints there's no real pattern to them.
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:They're not taking into account
a lot of historical patterns
308
:that were made back in the day.
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:And in terms of longevity, like
of keeping them too, I just,
310
:I never keep them in plastic.
311
:A lot of people that resell, buy stuff
and then they put 'em in plastic and I
312
:think they're already polyester, which
can't be recycled, which is a fossil fuel.
313
:Right.
314
:So at the end of the day the
polyester that we're wearing
315
:is a fossil fuel, it's an oil.
316
:We're already wearing that.
317
:We don't need to put plastic on plastic.
318
:So you just have to be mindful of
washing them on a gentle cycle.
319
:Spraying with vodka because
that gets the smell out of it.
320
:And , depending where it's come
from, if there's moths that you
321
:need to keep at bay, you freeze it.
322
:So you freeze things for a couple
of weeks and then pull them out.
323
:But yeah, just to get that musty
smell away, I would spray everything
324
:with vodka and then I steam everything
out, 'cause steaming at that heat and
325
:that level is also antibacterial.
326
:Chryssius: I can't live
without my steamer.
327
:Bec: Oh, I know.
328
:I actually find it very therapeutic.
329
:I would rather steam
something than cook dinner.
330
:Anytime anyone says, oh, I need
to have this ironed, I'd be like,
331
:yeah, I'll steam it for you.
332
:Don't worry.
333
:Give me two seconds.
334
:Yeah.
335
:So I think in terms of the quality
and keeping the quality, so
336
:the authenticity is one thing.
337
:It's about looking at the labels and
checking all those details and how it's
338
:tailored, how it's made, the fibre that
they've used, but then keeping it and then
339
:making sure that you keep it as quality.
340
:Um, never put in plastic.
341
:And a lot of my resellers will hate me
for saying that, but never put in plastic.
342
:I hang everything up and I just have
racks in my garage that I just, I, I try
343
:to keep a very small inventory at any one
time so I can kind of rotate it out there.
344
:Chryssius: What's your
selling platform of choice?
345
:So you say you don't keep
too much stock on hand.
346
:So is it Instagram, is
it in in person markets?
347
:I know you do a few markets.
348
:Bec: Yes, I love the markets.
349
:I love the in real life markets because
it means I've got an opportunity
350
:to talk to people about the clothes
and where they've come from.
351
:And even if it's not my story to
tell, it's somebody's story to tell.
352
:So anything I source or anything that
I obtain or find, I usually like
353
:to try and wear it myself, or I will
fit it on my body so I know how it
354
:looks and what it looks like, and
then I can talk to people about it.
355
:So, yes, markets are key.
356
:I also find that with markets, you
talk to a lot of the stall holders and
357
:you've got similar values and similar
mindsets and your neighbours in the
358
:stalls, they're a wealth of information.
359
:Especially if you're selling vintage
and I don't know about every single
360
:vintage market that's out there, somebody
might know of a vintage market and my
361
:particular genre or my niche, which
is 80s, they might go, oh, your stuff
362
:would really do really well at this
store or at this place, or whatever.
363
:So yeah, first and foremost, markets,
just because they're a wealth of untapped
364
:knowledge and just the comradery of it.
365
:I think the bonding and
the comradery of it.
366
:I also, I don't do a lot online anymore
as you know, like we were both in
367
:the Poshmark game and that lasted
for so long at a really good level.
368
:And then it didn't.
369
:Etsy, same-same.
370
:They give you a lot of support
to start with, but then it's
371
:all about making it on your own.
372
:But online platforms for
me don't really cut it.
373
:It's also about having low vision
and I have to then spend time
374
:taking the photos, editing, filters.
375
:I can't tell you from one
filter to another filter.
376
:I've got absolutely no idea.
377
:So a lot of that that's at my fingertips
is actually very difficult, to manage.
378
:I also can't use my phone on the run.
379
:I don't have enough vision
to allow me, even just to do
380
:a text message or whatever.
381
:I don't drive either.
382
:So that's a really hard thing
to maintain when you have to
383
:refresh your stock all the time.
384
:So I kind of pick places where
I know I could probably get
385
:to via train if I needed to.
386
:But usually I'll enlist
in someone to drive me.
387
:So, whether that's a cousin or a friend
or whatever, and then I just kind of book
388
:them in and say, "Hey, I've gotta' go and
refresh my stock at blah, blah, blah."
389
:And it's the same with the markets.
390
:Like I always have to have someone with
me at the markets to be able to drive
391
:me and support me and, that's all.
392
:Yeah, that's kind of what I do.
393
:Chryssius: Whatever works.
394
:It's always interesting to see what
is working best for other people.
395
:Bec: Yeah.
396
:Chryssius: I know you touched on this
very briefly when we were talking
397
:about authenticity, um, labels.
398
:Are there any particular brands or
labels from the 80s that you would
399
:recommend people look out for?
400
:What are your favourites?
401
:Bec: There's way too many that I
know of and as soon as I see that
402
:label, I will pick it up and it's
like nine outta 10 times I will
403
:buy it just because of the label.
404
:Some personal favourites are
Beaujolais for mostly blouses.
405
:Because, well, they're a pussy bow
406
:or got a Yeah, course.
407
:Or they've got, a great
colourway or a pattern.
408
:So instantly when I see them,
they've got some quirkiness to them.
409
:They might have a really
lovely button cuff.
410
:They might have a really nice
shoulder pleat or a little, puff
411
:sleeve or something like that.
412
:So I tend to go for
Beaujolais as a blouse.
413
:A One, Pelaco, they're really good.
414
:Anything that's A One and Pelaco,
they're not in production anymore.
415
:Mr.
416
:K for eveningwear.
417
:The old Jacqueline Eve
is today's Jacqui E.
418
:But the old school, Jacqueline Eve,
everything about Jacqueline Eve, it
419
:was the cut, it was the buttons, it
was the pockets, it was the scalloping
420
:around the bottom of the blazer.
421
:It was the shoulder pads, the
print, everything, Jacqueline Eve.
422
:Katie's back in the day.
423
:Target...
424
:Geoff Bade was a really good brand.
425
:Anthea Crawford, Sportsgirl...
426
:Dolina.
427
:There's just so many.
428
:The original Sportscraft, like
Sportscraft and Sportsgirl.
429
:I remember getting my very
first denim jacket in the 80s.
430
:Sportsgirl.
431
:I still have it.
432
:It's in my wardrobe.
433
:But yeah, I don't wear it.
434
:I actually don't wear it.
435
:I think I've worn it half a dozen times.
436
:It's something I, I'll
never be able to part with.
437
:Chryssius: I remember getting
my first Sportsgirl T-shirt in
438
:the nineties, early nineties.
439
:Bec: Yeah.
440
:And Esprit back in the day, and
Miss Shop Myer, I've still got,
441
:I think I've got a couple of
things Miss Shop Myer, still.
442
:Chryssius: Do you work in
a corporate environment?
443
:Bec: Not anymore.
444
:Chryssius: I wanted to know if you
wear these beautiful pieces to work!
445
:Bec: Oh no.
446
:And God, it's so funny because I've
always been known for my outfits.
447
:Like everyone's always been
like, "What's Bec wearing today?"
448
:Even in my corporate days, I used
to be an events director and work in
449
:events and travel, and I was always
a power suit wearer, but I never wore
450
:Cue because I could never afford it.
451
:So it wasn't until that later on when
I was on the disposable income that I
452
:started getting into Cue and Veronika
Maine and kind of elevated that game.
453
:Even to this day, I mean, they're not
as fast fashion as now, but as soon as
454
:they went offshore, for me that was it.
455
:It was like, okay, well they've
almost become commercialised now.
456
:So I've been on the journey for say, 10
years, but the actual style change has
457
:only been in the last four or five years.
458
:I actually stopped working, just
prior to lockdowns and everything.
459
:Because my vision was deteriorating and
I couldn't retain the job that I had.
460
:I was managing a bunch of people and it
was just progressively getting worse.
461
:So I had to kind of bite the
bullet and go, all right,
462
:corporate's not for me anymore.
463
:And then it didn't matter 'cause I went
on a holiday for my birthday and came back
464
:and we're all, we basically in lockdown.
465
:I like, oh, I, I don't need to make
any drastic career changes right now.
466
:And then I just probably got
really full on into it and just
467
:listened to everything, podcasts...
468
:Chryssius: What else were we
gonna' do while we're in lockdown?
469
:Bec: Exactly.
470
:And then you'd be going down
those rabbit holes on YouTube or,
471
:Instagram or something like that.
472
:And then that was really what propelled
me to really adapting my style and kind
473
:of clearing out my closet and thinking,
why do I need eight different black
474
:blazers or, you know, mind you, I did
do a reel on that and I actually started
475
:explaining how sometimes you do need
extra black blazers 'cause they come
476
:in all different sizes and shapes and
silhouettes and for different things.
477
:Um, But yeah, through that whole
period, like you just become
478
:mindful of what you've got.
479
:Chryssius: Side note: have you seen.
480
:"What We Wore"?
481
:Bec: Yeah.
482
:With Celeste Barber, that one?
483
:Chryssius: Yes!
484
:That has a really good piece
in there about Cue, actually.
485
:Bec: Yeah, it's a really,
really interesting history about
486
:how they redefined themselves
and developed their style.
487
:And, you know, people don't even know that
they've got the sister companies of Dion
488
:Lee and Veronika Maine, and then they had,
Cue In The City, they were their first to
489
:go offshore and then get made in China.
490
:So you had Cue as a mainstream and
they had Cue In The City, which
491
:was made for the younger woman.
492
:Then you had Veronika Maine,
which was for the older woman.
493
:So then their styles changed for, it
wasn't as much of a v-neck, it was
494
:a little bit higher, the skirt was
a little bit lower than the knees.
495
:There were these subtle changes
through their designing process,
496
:on how it affected and how it
changed with a woman's body.
497
:It's just, it's fascinating.
498
:It's fascinating.
499
:I find any Australian brand, that's
another thing with the 80s for me,
500
:it's Australian brands and "Made
in Australia", and that's one of
501
:the key elements other than labels.
502
:So you'd still find it on not
just a brand label, but on the
503
:actual, um, the care tags on it.
504
:If it says, if it gives you
your measurements and then it
505
:also says "Made in Australia".
506
:It's a, it's a key piece.
507
:It's gotta' be, it's a key piece.
508
:Chryssius: It's a piece of gold.
509
:Bec: Yeah, that's it.
510
:Chryssius: I reckon we've got
time for one more question.
511
:Bec: Okay.
512
:Chryssius: Have you noticed any
particular 80s trends or styles
513
:that are making a comeback?
514
:Bec: Yeah, well, shoulder pads are, I
definitely think they are, they're not as
515
:out there as I would like personally, but
I can sport them myself, with confidence.
516
:So I feel like I can
take a hit for the team.
517
:That's fine.
518
:And shoulder pads especially,
'cause just, it just changes the
519
:whole structure of an outfit.
520
:I think hair, so there's
elements of big hair coming back.
521
:Chryssius: Miley Cyrus.
522
:Bec: Well, I was gonna' say like,
if anybody hasn't seen it, yes.
523
:The Miley Cyrus in her, like Tina
Turner, look for the Grammys.
524
:That just, that was everything for me.
525
:Um, mullets, I hate mullets, detest.
526
:DE-TEST.
527
:Never liked them back then, and I don't
like them now, they are terrible.
528
:There's loaded makeup...
529
:80s was very heavy on the colour scheme
of electric blue eyeshadow or bright
530
:red lips and put that all together.
531
:Bright red cheeks, bright red lips,
electric blue eyeshadow, and heavy,
532
:heavy black eyeliner, you know?
533
:Just the rouging of cheeks
is just like killer.
534
:When you see like Linda Evangelista
in some pics or whatever, you just
535
:look at it and go, oh my goodness.
536
:But loaded makeup is still a thing.
537
:It's just a, a different way
of applying it, I suppose.
538
:Um, and I think what really has come back
as a resurgence is probably the colours.
539
:So I feel like it's a good nod back
to the 80s, like what we have now by,
540
:by those of us who keep pushing it.
541
:I mean, I get looks all the time.
542
:'Cause you can have "80s
wear" and "80s wear", right?
543
:But I'm very, like, quintessential
80s, the neon and the classic wear,
544
:where I know people that do the
80s as well, but they're all about
545
:the sequins and the evening wear.
546
:So if you look at mine versus someone
else's, it could be that the key
547
:differences might be sequins and,
um, mine's, a lot of occasional
548
:wear and a lot of that corporate,
because that was me as a person too.
549
:I lived through all of that.
550
:So yeah, there are different
elements of the 80s, but there's
551
:just such a big nod back to it.
552
:I can't really say why people
do, but that's, that's my
553
:opinion on why I think it is.
554
:I just wanna get it out there.
555
:I wanna push it.
556
:I wanna just be like,
come and buy all my shit.
557
:I've got heaps.
558
:I've got such good things.
559
:The stuff that you find is
outrageous, and I'm like, it's key.
560
:It's like venting.
561
:That was something I
didn't mention before.
562
:"Venting" is when an
item has a slit in it.
563
:So if you are wearing a skirt or a
blazer and you have that little slit
564
:at the back, you go to a shop now,
you will not find venting on anything.
565
:And if you do, it's stitched together.
566
:No one knows that that's just
holding the garment in place until
567
:you snip it and then you let it
open because it falls against your
568
:waistline or your butt or whatever
it is to, you know, fit you better.
569
:So many things like that are lost.
570
:Chryssius: Yeah, I've done that.
571
:So awkward.
572
:I'm like, oh, excuse me while I
just snip the back of my blazer.
573
:Bec: Yeah, exactly.
574
:When I was listening to Claire Press
and all of her stuff, you know, going
575
:into it, when I started doing it for
myself, I would actually start looking
576
:up, what's the terminology for this?
577
:Like embroidery versus applique
versus scalloping versus, you
578
:know, venting or jacquard, paisley.
579
:I, I didn't know paisley.
580
:I thought paisley was floral.
581
:I thought it was the same thing.
582
:No, it's not, everybody.
583
:It's not.
584
:And then working out the difference
between a chevron print, houndstooth,
585
:dogstooth, tweed, boiled wool.
586
:It's just, it's a quagmire
of what's out there.
587
:But I love that whole process, that
whole process of learning about it.
588
:Chryssius: It's an
educational process for sure.
589
:Once you start op-shopping, and
not even just as a reseller, but
590
:just even when you're op-shopping
for yourself, it is educational.
591
:You learn a lot.
592
:And listening to podcasts, of course.
593
:Bec: And listening to podcasts.
594
:Chryssius: All right, so three
really important things that I can
595
:take away from this conversation:
"venting" - I didn't know what that was.
596
:I need to buy more vodka.
597
:And I definitely need a bigger freezer.
598
:Thank you very much.
599
:Before you go, Bec, I would love to
know, what is your Best Bargain Brag?
600
:So something that you have found
secondhand, whether it be an
601
:op-shop or market, a tin shed,
wherever that's, your favourite
602
:or the most unusual, or craziest.
603
:Tell us.
604
:Bec: Look, I do like something that
has more of a, an attachment of sorts.
605
:That is from a, I like to say as
a descendant or as an heirloom, I
606
:find that resonates more with me
than just obtaining it through an
607
:op shop or something like that.
608
:I probably have three things in
my wardrobe that I will never get
609
:rid of, even if I never wear them.
610
:I have my Mum's Perri Cutten, it was a
cropped bolero kind of cropped jacket.
611
:The colour is like a goldy,
quilted kind of jacket with
612
:this beautiful metallic thread.
613
:That would be one key thing that I'll
probably keep and I may or may not wear.
614
:The other one was from my great
aunt, and it was a tomato red
615
:wool coat from the seventies.
616
:The brand is Solo.
617
:That's another brand I did not mention,
but one of my all absolute faves.
618
:Anything from Solo is key because of
the tailoring, the accents, the wool.
619
:It's just gonna' be a gorgeous piece.
620
:And then, the other thing, funnily
enough, was donated to me from
621
:one of our Poshmark friends.
622
:I don't know whether she would want to
be named, so we will leave it at that.
623
:But she leave it as anonymous.
624
:But we had just been having this
random discussion about Glomesh
625
:and I cannot believe that Glomesh
has not come up once on this whole
626
:Chryssius: Oh my God.
627
:Bec: discussion.
628
:I know we might have to go back and
retape it all over again, 'cause
629
:I haven't even told you about my
Glomesh collection, my obsession
630
:with it, like absolute obsession.
631
:And we had had this conversation
and she said to me, "I'm trying to
632
:sell a Glomesh purse in my closet."
633
:And I was like, yeah.
634
:She goes, "You know what?
635
:I'm not even gonna' sell it.
636
:I'm just gonna' gift it to
you because it was my Mum's."
637
:And her Mum's still alive.
638
:And she said, "It's my
Mum's, it was from the:
639
:I just don't have someone
that I think would appreciate
640
:this as much as you would.
641
:I want to give this to you."
642
:And I said, "I'll take it.
643
:I will take her and I will treasure her."
644
:So she arrived in her original box with
the original authenticity and everything,
645
:and I wrote her Mum a card and I said,
oh my God, she will be loved forever.
646
:And she's in my collection.
647
:And she was one of my first pieces
of the collection of my Glomesh.
648
:Chryssius: Oh my God, that
is such a beautiful story.
649
:Bec: Yeah.
650
:Yeah.
651
:And I'll pull her out.
652
:I pull it out and then I'll, I'll use it.
653
:And I always know where it's come from.
654
:Those kind of pieces are more like
they're my sentimental keepsake pieces.
655
:I can thrift anything and you can
always find a really good find.
656
:So it is something like that.
657
:Chryssius: For anyone listening, you
can just go to the Highlights on the
658
:Reloved Radio Instagram, and you'll
be able to see those pieces there.
659
:Bec: Perfect.
660
:Chryssius: And that just
about wraps it up for today.
661
:Thank you so much, Bec.
662
:You've been a pleasure to chat to.
663
:Can you tell everyone
where they can find you?
664
:Bec: Yeah, so I'm on Instagram and
Facebook, but for the life of me, I
665
:don't even know how to use Facebook.
666
:So find me on Instagram @aninsightfulhaul.
667
:" Insightful" was on my play of words
for being a low vision person, because
668
:I've virtually had no sight or I don't
have any sight, but "An Insightful
669
:Haul" because all of my hauls are
insightful and they're always curated.
670
:So you can be sure that you'll find
some kind of unique piece and whether
671
:I have it on my grid or not, if you're
looking for something you can always
672
:send me messages and I can kind of
do some sourcing for you if you need.
673
:And just keep an eye on my Stories, 'cause
I'm always down at the Seddon op-shop and
674
:finding pieces and putting them out there.
675
:No money comes to me for those.
676
:They go straight back
to Epilepsy Foundation.
677
:I just like to be the in-betweener,
the broker, that can get it out there.
678
:Chryssius: And for our listeners
that are local to Ballarat,
679
:you are coming in March...
680
:Bec: 23rd of March I'll be at
the BWC Op Shop and Vintage Sale.
681
:Chryssius: At Barkly Square.
682
:Bec: Yeah.
683
:10 to one.
684
:Chryssius: I'll be there.
685
:Bec: Yeah.
686
:Good.
687
:I'll find you some bits and pieces and go,
this is what you need in your wardrobe.
688
:Chryssius: Oh, I'll be there.
689
:I'll be all for it, believe me...